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Rediscover the Benefits of Using Reference Tracks During Your Mixing Process: Explore 7 Key Advantages

For optimal results in project mastering, utilizing reference tracks is crucial. They can significantly enhance the overall coherence and quality of your work.

Mixing a track can be more effective with the use of reference tracks, as they offer several...
Mixing a track can be more effective with the use of reference tracks, as they offer several advantages:

Rediscover the Benefits of Using Reference Tracks During Your Mixing Process: Explore 7 Key Advantages

In the world of music production, finding the perfect balance between different genres can be a challenging task. However, for Tom Wilson from LA, this is a task he tackles with an impressive arsenal of reference tracks. Wilson's choices range from Michael Jackson's iconic "Thriller" for pop, Daft Punk's groovy "Get Lucky" for electronic, and Steely Dan's jazz fusion masterpiece "Peg" for the fusion of rock and jazz.

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When it comes to mixing different genres, Wilson emphasizes the importance of positioning vocals carefully in the mix. The prominence of vocals and the placement of backing vocals should be considered to create a harmonious blend.

The overall colour, tone, and saturation of a track play a significant role in shaping the listener's perception of the song's defining characteristics. Producers must pay close attention to these elements to ensure their mix resonates with the intended audience.

Stereo imaging is another crucial aspect that can greatly impact a track. It can make a track sound bigger or smaller, depending on the desired effect. The stereo field of a reference track should be analysed to understand where certain instruments are sitting in the field and their panning.

The level and amount of effects used in a reference track should be carefully considered. Spatial effects like reverbs and delays should blend smoothly into the track, creating a cohesive listening experience.

Some of the reference tracks across various genres used by Tom Wilson include Kaytranada & Craig David's "You Got it Good," Khruangbin's "Maria Tambieñe," Iron Butterfly's "Real Fright," Drake & Sampha's "Too Much," Steely Dan's "Black Cow," Steel Pulse's "Handsworth Revolution," Floating Points' "Last Bloom," Lord Echo's "The Sweetest Meditation," Ben Pearce's "What I Might Do (CLUB MIX)," Terrance Martin presents The Pollyseeds' "Intentions," Kraak & Smaak's "Hands of Time," Daniel T.'s "Windy Lady," and Yusef Lateef's "Like It Is."

Finally, EQ, saturation, and compression can be used to bring desired colours to the mix or certain individual elements within it. By understanding and mastering these techniques, producers can create unique and captivating blends of various genres.

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